Mustering up the challenge of conquering the nobly poignant Queen Elisabetta di Valois with pristine lyricism and sturdy steeliness is Signora Adriane Queiroz. Please enjoy my review and let me know your opinions.
Friedrich Hamel
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Overlooking my conflicting sentiments about Rolando Villazón’s overall vocal form as Idomeneo, his unique brand of charisma remains interesting. Please enjoy my review and let me know your opinions.
From his beginnings as a light lyric tenor to his current tenures in challenging leading tenor roles, Saimir Pirgu tackles Idomeneo the Cretan King torn between his regal duty and filial bond with his son Idamante. Please enjoy my review and let me know your opinions as well.
David McVicar’s production of Mozart’s Idomeneo may eclectically combine Feudal-Era Japanese, Middle Eastern, European, and Greek aesthetics, but how do the singers fare in their roles in this production? At least it was nice that I have achieved my dream of seeing Olga Peretyatko and Anna Prohaska together on stage as the two rivaling princesses Elettra and Ilia respectively. Enjoy my review and let me know your opinions as well.