Adela Zaharia’s shimmeringly crystalline high notes waltz with Long Long’s handsomely dashing nobility as the tragically doomed star-crossed lovers hailing from Scotland’s Lammermuir Hills. Please enjoy my review and let me know your opinions.
Dean Murphy
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Aida Pascu, a young and rising full lyric soprano, tackles the role of the iconically romantic seamstress Mimì with gorgeous elegance and great growth potential. Please enjoy my review and let me know your opinions.
Outstanding excellence, pristine formidability, and vocally dynamic charisma thy name is Andrei Danilov. He has put his stamp on this role as one of today’s grandest exponents of true Bel Canto singing. Please enjoy my review and let me know your opinions.
Kangyoon Shine Lee mounts his crown full of golden clarion tones, peerless musicianship, and noble Bel Canto singing as Malcolm’s supporting yet impactfully vital role. Please enjoy my review and let me know your opinions.
Ascending the upper echelons of baritones from Leonard Warren to Sherrill Milnes is Thomas Lehman conquering the ambitious yet ruthlessly bloodthirsty Macbeth the Thane of Cawdor. Please enjoy my review and let me know your opinions.
Verdi’s Macbeth at the Deutsche Oper Berlin has struck again. This time, it is with a new modern production by Marie-Ève Signeyrole. Please enjoy my review and let me know your opinions.
Gilda Fiume, a dramatic coloratura soprano with a vastly versatile repertoire that includes comedic and dramatic roles, embodies one of her most renowned signature roles, Lucia Ashton. Please enjoy my review and let me know your opinions.
A constantly soaring lyric coloratura soprano continues to spread her wings in one of her signature roles. Assisting her are a cavalcade of equally formidable singers. Please enjoy my review and let me know your opinions.
Here is another opera review in honor of my mother’s birthday. This time, I review Marco Filippo Romano’s performance of an oafish yet iconic doctor trying to win over his young ward. Please enjoy my review and let me know your opinions.
A rising full lyric soprano tackles one of Wagner’s virginally innocent heroines. Please enjoy my review and let me know your opinions as well.