Soaring to the role of the innocent yet ill-fated Liú is Nina Solodovnikova, a full lyric coloratura soprano with abundant potential for growth. Please enjoy my review and let me know your opinions.
Clemens Bieber
SeokJong Baek’s ever-augmenting strengths as a riveting spinto tenor with a dramatic edge are in full effect as Calaf, the Unknown but Determined Prince of Tartar. Please enjoy my review and let me know your opinions. Tune in today at 9 AM Berlin time.
Intimately romantic twists and turns and various operatic references pepper Tobias Kratzer’s production of Richard Strauss’s Intermezzo with fascinating character dynamics. Please enjoy my review and let me know your opinions.
Growing from strength to strength as a brilliant spinto soprano with an ever-growing repertoire full of leading lady roles is Maria Motolygina and her astoundingly incredible vocal prowess. Please enjoy my review and let me know your opinions.
Saioa Hernández is a reigning opera diva I have been yearning to witness live on stage. Her excellent technical prowess and flair for drama have made her own Turandot the ice princess of China. Please enjoy my review and let me know your opinions.
Stéphanie Müther’s burgeoning career as a dramatic soprano continuously jettisons with her embodiment of the impassioned Princess Isolde accompanied by a cast of formidable soloists. Please enjoy my review and let me know your opinions.
Through Leos Janacek’s mellifluous score and Katharina Thalbach’s vibrant production, The Cunning Little Vixen unfolds its timeless tale of nature and the circle of life at the Deutsche Oper Berlin. Please enjoy my review and let me know your opinions.
Tareq Nazmi jettisons from his character bass beginnings and tackles more leading man basso cantante/basso profondo roles. King Marke is one of his most recent endeavors. Please enjoy my review and let me know your opinions.
It is out with the Middle-Age fairs and in with the 1990s to 2000s Croc shoes in Jossie Wieler’s, Anna Viebrock’s, and Sergio Morabito’s production Wagner’s Die Meistersinger von Nürnberg. Please enjoy my review and let me know your opinions as well.
Four of Deutsche Oper Berlin’s finest mainstay singers. One pianist who exuded elegance and charm. One reader who exuded unique lovability. Two of the greatest classical composers. One fine evening of song. Enjoy my review and let me know your opinions as well.







