A charming young lyric coloratura soprano rises to the challenge to bring one of the most famous Donizetti Bel Canto heroines of all time to the stage of the Deutsche Oper Berlin. Enjoy the review and let me know your opinions as well.
Byung Gil Kim
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A brilliant full lyric tenor with a growing repertoire rises to the challenge to take on the delightfully despicable Duke of Mantua. Enjoy the review and let me know your opinions as well.
It’s Tales of Hoffmann meets Edgar Allan Poe starring a strapping Swedish spinto tenor, a charismatic American lyric mezzo-soprano, a versatile, wide-ranging Romanian lyric soprano who can sing almost anything from coloratura soprano to lyric soprano to spinto soprano, a virile Italian bass-baritone, and a charming German light tenor. Enjoy the review and let me know your opinions as well.
This production of Rossini’s Il Viaggio a Reims may be an acquired taste, but it was definitely a vocal extravaganza from all of the singing superstars, whose efforts cannot and should not be ignored in the slightest. Enjoy the review and let me know your opinions as well.
This was yet another historical piece of work from Meyerbeer to add to my accomplishments of operas I have been longing to review for the longest time. The question remains, how well does this illustrious cast headed by Gregory Kunde, Clementine Margaine, Elena Tsallagova, Derek Welton, Noel Bouley, Andrew Dickinson, and Seth Carico stack up? Enjoy the review and let me know your opinions as well.
When you put a powerhouse dramatic soprano who is known to the world for her portrayals of such mighty madames like Abigaille and Lady Macbeth, a dramatic tenor whose voice is like ocean waves ready for the surf, a dramatic baritone whose penchant for scoundrels is the stuff of popularity, throw in such crowd-pleasing supporting players, and a conductor to as a binding agent, you know this is going to be an exceptional tour de force of a performance. Enjoy the review and let me know your opinions as well.