Kangyoon Shine Lee mounts his crown full of golden clarion tones, peerless musicianship, and noble Bel Canto singing as Malcolm’s supporting yet impactfully vital role. Please enjoy my review and let me know your opinions.
Attilio Glaser
Read More
Ascending the upper echelons of baritones from Leonard Warren to Sherrill Milnes is Thomas Lehman conquering the ambitious yet ruthlessly bloodthirsty Macbeth the Thane of Cawdor. Please enjoy my review and let me know your opinions.
Verdi’s Macbeth at the Deutsche Oper Berlin has struck again. This time, it is with a new modern production by Marie-Ève Signeyrole. Please enjoy my review and let me know your opinions.
Embracing a vast array of roles designated for both lyric coloratura sopranos and dramatic coloratura sopranos, Diana Schnürpel performs one of the many roles she has been renowned for The Queen of the Night. Please enjoy my review and let me know your opinions as well.
Combining classics by Richard Strauss and Max Reger as well as a fresh face in Philipp Maintz was a Liederabend that unites the musical prowess of John Parr, Flurina Stucki, Attilio Glaser, and Philipp Jekal. Enjoy my review and let me know your opinions as well.
Jordan Shanahan, a dramatic baritone whose career has seen him rise from handsomely lyrical roles to more viscerally challenging roles, takes on Jochanaan the mysterious yet raving prophet. Enjoy my review and let me know your opinions as well.
Coming into his own in the leading tenor roles is none other than Attilio Glaser, whose career has been opening new doors especially with this iconic poet in love. Enjoy my review and let me know your opinions as well.
Fresh from his role debut as the Venetian Moor in Toronto, Canada, Russell Thomas brought this iconic tragic hero to Berlin where he was joined by a cavalcade of superstars, including the pristine Guanqun Yu and the dynamic George Gagnidze. Enjoy the review and let me know your opinions as well.
A brilliant full lyric tenor with a growing repertoire rises to the challenge to take on the delightfully despicable Duke of Mantua. Enjoy the review and let me know your opinions as well.
Pretty Yende shows a lot of elegance and magnificent musical prowess as the tragic heroine, Lucia, and René Barbera makes his successful Deutsche Oper Berlin debut as her dashing yet doomed lover, Edgardo. Enjoy the review and let me know your opinions as well.