The slice-of-life character constellations remain strong with Tobias Kratzer’s production of Strauss’s Die Frau ohne Schatten, despite being void of its legendary fairy-tale roots. Please enjoy my review and let me know your opinions.
Alexandra Oomens
Read More
Artur Garbas’s vocal performance prowess continues to shine and shimmer as the iconic bird catcher Papageno. Please enjoy my review and let me know your opinions.
Striking again with leonine vengeance as the bile-spewing, dejected, acrimonious nobleman Count Monterone is Byung Gil Kim, who continues to demonstrate unstoppable indomitability as a singing actor. Please enjoy my review and let me know your opinions.
From the first time I witnessed Brenda Rae as the witty Zerbinetta nearly a decade ago to now witnessing her as the innocent Gilda, I assess how she tackles one of her signature roles from the Italian repertoire. Please enjoy my review and let me know your opinions.
Gallantry, exuberance, vigor, virility, aplomb, nobility, and regality are the attributes in Andrei Danilov’s dashing portrayal of Prince Tamino, a role he has been singing for over a decade. Please enjoy my review and let me know your opinions.
Aida Pascu, a young and rising full lyric soprano, tackles the role of the iconically romantic seamstress Mimì with gorgeous elegance and great growth potential. Please enjoy my review and let me know your opinions.
Youthful dignity, cultivated technique, and elegant nobility are the hallmarks that have made Kangyoon Shine Lee radiate like the stars in the Milky Way as Prince Tamino. Please enjoy my review and let me know your opinions.
Adela Zaharia’s ever-flourishing technical beauty and grace were in full evidence as one of her signature roles Violetta Valery. Please enjoy my review and let me know your opinions.