Antoni Garcia

The festive season continues and this time we are traveling back to the 1920’s with a surreal, vivid, magnificent, and amusing production of Mozart’s final opera The Magic Flute, which is, in turn, a grand homage to silent films, way before the talkies came to fruition. Enjoy the review and let me know your opinions as well.

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Let us all celebrate an extraordinary Winter Solstice with two grand divas who portray two iconic priestesses, one whose voice soars like an eagle in the form of Angela Meade’s Norma and the other whose voice has the steely plushness and fiery blaze of a meteor in the form of Jamie Barton’s Adalgisa. Enjoy the review and let me know your opinions as well.

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